Frank schrieb am 1.12. 2001 um 19:55:00 Uhr zu
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Im LIFE-Magazin vom 09. Juli
ist ein Interview mit Stones-Schlagwerker Charlie Watts zu lesen. Hier ein übersetzter Auszug: 'Für diejenigen, die mit der Wahrheit des Falles nicht vertraut waren, wurde berichtet, dass Michael Abram in das Haus einbrach und auf Harrison einstach, der ihn mit Hilfe seiner Frau Olivia überwältigen konnte. »Aber was George wirklich durchgemacht hat stand nicht in der Zeitung«, sagt Charlie, »Ich habe etwa einen Monat nachdem es passierte mit Ringo gesprochen, und er hat mir genau erzählt, was da vorgefallen war, und es war grauenhaft. Auf George wurde um die vierzigmal eingestochen. Es passierte außerhalb seines Schlafzimmers auf dem Treppenabsatz. Er wäre tot, hätte er im Bett gelegen, er wäre nicht in der Lage gewesen, sich zu wehren. Die Zeitungen haben geschrieben, dass ein Stich seine Lunge getroffen hat, aber viele andere waren ebenso gefährlich. Der Mann hat ihn überall aufgeschlitzt. Georges Frau hat immer und immer wieder mit dieser Messinglampe auf ihn eingeschlagen, aber er hörte einfach nicht auf.«
Charlie schüttelt traurig seinen Kopf. »Ich denke, dass George auch jetzt noch durch ein Trauma geht«, sagt er, »Er wird es tun müssen - er lebt seit 30 Jahren in diesem Haus. Es ist einfach schockierend, dass dieses einem Typen widerfährt, der so...« er sucht nach dem richtigen Wort - »gutmütig ist. George war niemals gemein zu irgendjemanden, er hat immer nur von Liebe und Frieden geredet. Er ist nicht wie John Lennon: er hat nie irgendwelche (kontroversen, O'Bell) Statements oder ähnliches abgegeben.« Charlie seufzt, lächelt mild. »Er ist einfach nur ein sehr netter Gitarrist.«
liverbird schrieb am 2.12. 2001 um 00:52:33 Uhr zu
Bewertung: 2 Punkt(e)
GEORGE HARRISON
As lead guitarist for the Beatles, George Harrison provided the band with a lyrical style of playing in which every note mattered.Harrison was one of millions of young Britons inspired to take up the guitar by British skiffle king Lonnie Donegan's recording of »Rock Island Line.« But he had more dedication than most, and with the encouragement of a slightly older school friend -- Paul McCartney -- he advanced quickly in his technique and command of the instrument. Harrison developed his style and technique slowly and painstakingly over the several years, learning everything he could from the records of Carl Perkins, Duane Eddy, Chet Atkins, Buddy Holly, and Eddie Cochran. By age 15, he was allowed to sit in with the Quarry Men, the Liverpool group founded by John Lennon, of which McCartney was a member; by 16 he was a full-fledged member of the group.
The Beatles finally coalesced around Lennon, McCartney, Harrison, and drummer Ringo Starr in 1962, with Harrison established on lead guitar. The Beatlemania years, from 1963 through 1966, were a mixed blessing for Harrison. The Beatles' studio sound was generally characterized by very prominent rhythm guitar parts, and on many of the Beatles' early songs, Harrison's lead guitar was buried beneath the chiming chords of Lennon's instrument. Additionally, he was thwarted as a songwriter by the presence of Lennon and McCartney -- the quality and prolificacy of their output left very little room on the group's albums for songs by anyone else. Despite these problems, Harrison grew markedly as a musician between 1963 and 1966, writing a handful of good songs and one classic (»If I Needed Someone«), and also making his first acquaintance of the sitar, an Indian instrument whose sound fascinated him.
In 1966, Harrison finally seemed to find his voice, with two of his songs on the Revolver album, »Taxman« and »Love You Too.« In the wake of the group's decision to stop touring, Harrison's playing and songwriting grew exponentially. The period from 1968 onward was Harrison's richest with the Beatles. He displayed a smooth, elegant slide guitar technique that showed up on their last three albums, and contributed two classic songs, »While My Guitar Gently Weeps« and »Here Comes the Sun,« along with »Something,« which became the first Harrison song on the A-side of a Beatles single.
Although never known as a strong singer, Harrison's vocals were always distinctive, especially when placed in the right setting -- for his first solo record following the group's 1970 break-up, All Things Must Pass, Harrison collaborated with producer Phil Spector, whose so-called »wall of sound« technique adapted well to Harrison's voice. All Things Must Pass and the accompanying single »My Sweet Lord« had the distinction of being the first solo recordings by any of the Beatles to top the charts following their breakup. Unfortunately, Harrison was later successfully sued by the publisher of the 1962 Chiffons hit »He's So Fine,« which bore a striking resemblance to »My Sweet Lord.«
Harrison followed All Things Must Pass with rock's first major charity event, The Concert for Bangladesh, which was staged as two shows at New York's Madison Square Garden in 1971 to help raise money for aid to that famine-ravaged nation. The second of the two all-star shows was released as a movie and a live triple album. Harrison's next studio album, Living in the Material World, initially sold well, but its leaner, less opulent production lacked the majestic force of All Things Must Pass, and it lacked the earlier album's mass appeal. Subsequent Harrison albums from the 1970s into the '80s always had an audience, but except for Somewhere in England (1981), released in the wake of the murder of John Lennon with the memorial song »All Those Years Ago,« none seemed terribly well-crafted or executed. During this same period, Harrison embarked on a successful career as a movie producer with the founding of Handmade Films.
In 1987, Harrison made a return to the top of the charts with his album Cloud Nine, which featured his most inspired work in years, most notably a cover of an old Rudy Clark gospel number called »Got My Mind Set on You,« which reached number one on the charts. In 1988, Harrison, Bob Dylan, Tom Petty, Jeff Lynne, and Roy Orbison formed the Traveling Wilburys, who have since released two very successful albums.